Recorded live at Complex, Glendale. January 16, 2016.
Collaborative sound+video work with John Pearson. untitledview.com
credits
from Spectress,
released September 25, 2016
Gabie Strong - guitar, effects, synthesizer, vocals.
Cover art by John Pearson.
Label and insert photographs by Elon Schoenholz.
Recorded by Jorge Martin.
Digital Mastering by Mark Wheaton, Catasonic Studios.
Completely unique music, original ++, voices, feedback, noise, scratch and on "Come" a ghostly 60s type musical relic emerges out of the ashes and destruction, via a merciless brief silence, only to retreat to the mire just as quickly. I can't describe this music any better than that. Gavin Hellyer
Deep, interesting, strong and emotional. Just a great work. Liz Harris will always have something strong, special and surprising in the best artistic way. risovic
One of my favorite albums right now! Also had the honor to hear this set live when it was performed at Pro Arts, Oakland. A very deep moving album lofimolina
William Ryan Fritch's enthralling, doomy new CD comes housed in a gorgeous, panoramic gatefold sleeve with bewitching original artwork. Bandcamp New & Notable May 16, 2016
Definitely different from his more recent collaboratively ethereal and leisurely LP's, this is a crepitating, sparsely textured album that sounds like a peregrine mixture of Whitehouse eeriness, Diamanda Galas, and the first Sonic Youth LP if it was played by Jandek. A fascinating LP that is best played at very loud volumes lying on the sofa after a few Fernet Branca's. brantly